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MUSIC x TECH x FUTURE
by Bas Grasmayer
Why I’m joining IDAGIO — a classical music startup — and moving to Berlin
Creatives as victims: are artists really screwed?
Why I’ve stopped posting on Medium
Music for the Snapchat generation: conceptualizing Music Stories
Quick guide to the relaunched Anchor: reinventing the radio format
Is killing privacy the best we can do against secondary ticketing?
11 startups innovating the future of music
When augmented reality converges with AI and the Internet of Things
The “F*ck the long tail” manifesto
7 findings from my first year freelancing
Mood augmentation and non static music
What if Marilyn Manson was a YouTuber?
The benefits of being an early adopter
Why you shouldn’t build an app
“Be so good they can’t ignore you.”
Monetizing virtual face time with fans
The value of fan remixes as part of artists’ content strategy
The gender problem in the music business — and what you ♂ can do about it
Creating vs. Building
Success in music: defining your personal strategy in four steps
Breaking out of the circular blockchain music discussions
10 Lesser Known Tools for Making Music in your Browser
What if Spotify turned Daily Mix into a standalone product?
The Value of Ephemeral Content: Becoming Part of Your Fans’ Routines
6 questions I wish music startup founders asked more often
Are donations becoming a viable part of artists’ business models?
Two words to boost your digital strategy: and then?
Monetizing remix culture: Beatport’s former CEO about his new mission
Moving up the music curation food chain
Why nobody cares about your free download