MUSIC x https://validator.w3.org/feed/docs/rss2.html Databases as worlds: democratizing our digital existence How do you discover new music? Moving on from MUSIC x Why the 2020s are the decade of community 6 lessons for music startup founders that I learned the hard way Web3: returning ethics to networked reality Under the loop: tokenized music communities in Seed Club’s 4th acceleration cohort 🕵️ David Bowie – Artist, disruptor, creative technologist Five predictions about music streaming’s future Three Web3 principles that will permeate online culture in the next 10 years Where do Web2 fanbases fit in Web3? One billion music creators: what does that look like? Lana Del Rey: how to kill an artistic persona in the social media age 3 levels of DAO involvement for musicians (and those who love music) Artificial scarcity isn’t bad and it’s not just a jpeg (on NFTs) What’s cooking in Music DAOs? MusicFund, Dreams Never Die, Water & Music, FWB Gatekeeper, Polly, XYZ & Club BPM Acoustic Communities in late-19th Century mills and mines Who controls the flows of money in music? How to accelerate a music & tech start-up? Flipping the funnel: building your fanbase one fan at a time Iterative music culture, generative AI and the Web3 NFT Avatars and Onboarding Subcultures to the Web3 Livestreaming and the horseless carriage syndrome What you should learn about the music business Why your crypto startup looks like a scam The non-static tipping point: how culture’s going non-linear and generative Post-pandemic music scenes A music service based on collective bids on NFTs (aka fractional NFT ownership) Blockchain basics: how to start a DAO ‘Tarzan Economics’: The good, the bad, and the next vine Data Autonomy, the Creator Economy and Web3 A music service based on zero-knowledge proofs What do you buy when you buy merch? A simple guide to disrupting the music industry A mode of growth: NFTs, ownership, copyrights, blockchains Why I’m participating in Songcamp Elektra ⚡️ Web3 primer: setting up your cryptowallet & buying your first NFT The web3’s user-friendliness barrier for music Livestream monetization strategies, or what we can learn from Inter Miami CF Wait, is Spotify trying to make all musicians creators? Livestream tech breaking down Would you invest in a musician or band? Towards tokenized fandoms The community-owned rave: event organisers as DAOs Communities exchange value, or how no artist should care how much YouTube pays the industry The Decentralized Autonomous “1,000 True Fan” Organisation About Does Apple’s lossless streaming move impair fairer subscription prices? Recycle, repackage, remix Why Twitter is better positioned for tipping musicians than streaming services like Spotify and SoundCloud Why YouTube is the streaming service to watch